Archive for the ‘Collecting Areas’ Category

Penrose Library “Objects” – Egg Chairs and Megaforms

Thursday, April 4th, 2013

Penrose Library, dedicated in 1972, had a distinctly modern and futuristic set of design choices.

Sally Hemmings of the University Park News Sentinel described Penrose Library as the antithesis of a traditional library, with its “terrible academic silence seeming to scowl on all who enter.” Hemmings noted the “bright bold color…furnishings and decor, and a prevailing impression of space and light,” that “gives one the feeling more of being inside a modern, avant-garde gallery than a library.”

The furniture in Penrose, especially the much-beloved “egg chair,” and the library’s “megaforms” matched this functional and futuristic design aesthetic perfectly.

‘Megaforms’

The bright-orange main level contained many of what Gyo Obata, the library’s architect, called “megaforms” – tiers of different levels, covered with carpet, with seat backs formed by the next higher level, on which students could sprawl out, sit on, or use as they wished.

Penrose Library megaforms, circa 1972

Eero Aarnio Ball Chair, circa 1972

The ‘Egg Chair’

Affectionately known among patrons of Penrose Library as the “egg chair,” this 1963 design by Finnish designer Eero Aarnio is known more widely as the “Ball Chair,” and sometimes as the “globe chair.” The chair is a fiberglass design, with fabric upholstery. This much-beloved chair returned to the Anderson Academic Commons on March 1, 2013, and is available for any patron’s seating pleasure. You can also see Aarnio’s pastil chairs on the third floor of the Academic Commons, just to the left of the main stairs.

Tenth Street Shul

Monday, March 11th, 2013

Object: A crimson velvet brocade Torah mantle (cover). The mantle is trimmed with gold fringe, sequins and gold ribbon. There is a white and gold design on the front consisting of a crown, two lions, Hebrew letters standing for “‘the crown of the Torah,” the Ten Commandments in Hebrew and the date in Hebrew (5663). The mantle was used in the Congregation Shearith Israel (Tenth Street Shul) in Denver.

Torah cover for Shearith Israel congregation.

Torah cover from Shearith Israel synagogue

Shearith Israel (Remnant of Israel) synagogue was located in the oldest surviving religious structure in Denver from 1903 to 1965. The small stone building was originally erected as the Emanuel Episcopalian Church in 1877 at Tenth and Lawrence Streets in Denver. The Episcopalians moved and sold it to the Shearith Israel congregation in 1903. The Orthodox congregation remodeled the structure to fit the needs of a synagogue, adding Hebrew lettering around the entrance and a Star of David atop the building. Because of its location, it became known as the “Tenth Street Shul.”

The interior and exterior photographs of the Shearith Israel synagogue were taken by Jack Goldman. The sketch was done by Irene Miller Stein in 1979. Her father Robert Lazar Miller was an early member of the congregation. 

  Interior View of Shearith Israel

Exterior of Shearith Israel Synagogue

Drawing by Irene Stein Miller, 1979

Interior View of Shearith Israel Synagogue

 

The Shearith Israel congregation was established in 1899 as a traditional Orthodox Jewish house of worship. It was an offshoot of the Shomro Amunoh (Guardians of Faith) congregation, which was organized in 1877. Shearith Israel synagogue was one of the small synagogues just to the west of downtown Denver. The “Tenth Street Shul” was convenient for Denver businessmen who were seeking a regular minyan for daily religious services and was packed for services during the Great Depression because it was always heated. But by the end of World War II, services were only held on special occasions. The congregation dissolved in 1958, although sporadic services continued until 1965. The building, which was named an Historic Landmark in 1976, was converted to the Emanuel Art Gallery and is now part of the Auraria college campus.

There are a number of sets of tefillin in the Congregation Shearith Israel (Tenth Street Shul) Records, B139. This is one set of tefillin (phylactery) for the head consisting of a black leather box with a brown leather strap. Two of the four sides contain the Hebrew letter ”resh” designating that it is ‘’shel rosh” (for the head).

Set of Tifilins for the Head

Lazarus Wandel's Card from Congregation Shearith Israel

Invitation to Dinner with President Teddy Roosevelt

Friday, November 2nd, 2012

Object: Milton Anfenger’s copy of a 1905 program honoring President Theodore Roosevelt at the Brown Palace Hotel in Denver, Colorado.

Invitation and program for dinner honoring President Roosevelt

Invitation to Dinner with President Roosevelt, 1905

Jewish pioneers began arriving in Denver as early as 1859, but it is not until the 1870s that the community began to establish firm roots. It is said that Denver’s first synagogue, Congregation Emanuel, was founded in 1874 after the birth of Milton Anfenger, the eldest son of Louis and Louise Anfenger. Louis Anfenger migrated to the Colorado Territory from Syracuse, New York in 1870 during Colorado’s formative years. He became a leader of Denver’s Jewish and general community and married Louise Schlesinger in 1871. Their son, Milton Anfenger, graduated from East Denver High School in 1892. He attended Stanford University and graduated with a L.L.B. in 1895.  At Stanford he was a classmate and roommate of future United States president Herbert Hoover.

Milton Anfenger at His Desk

Following in his father’s footsteps, Milton Anfenger became a leader in the Denver community. Anfenger became a lawyer and was admitted to the Colorado Bar Association in 1896. He also went into politics, was elected a Colorado State Senator in 1904 and served during the fifteenth and sixteenth Colorado general assemblies. As a prominent local politician, he attended the program honoring President Theodore Roosevelt which was sponsored by the Denver Chamber of Commerce and Board of Trade in 1905.  The Anfengers were staunch Republicans, although two of Milton Anfenger’s sisters married prominent Democrats. In 1905, his sister Flora Anfenger married Philip Hornbein, who went on to become the chairman of the state Democratic Party from 1918 to 1920. Milton, himself, married Essie Wolfshon in 1911.

Caricature of Milt Anfenger, "Denver's Mr. Baseball"

Caricature of Milt Anfenger, "Mr. Baseball"

Milton Anfenger was an avid sports fan and became the owner of the Denver Bears baseball team in the 1920s, serving as president of the team from 1923-1932.A member of the Elks Lodge, Milton later served as President of the local lodge as well as Treasurer and President of the District Grand Lodge. He was also a central figure in the Denver Jewish community as an organizer of the Allied Jewish Council and was active in the Central Jewish Council, Central Jewish Aid Society, a Treasurer of the United Health Appeal Board of the Allied Council, and worked as editor of the Jewish News. He was Treasurer of Beth Israel Hospital and President of the National Jewish Hospital Board from 1945-1952. A member of several civic organizations, he was also actively involved in the National Guard, Masons, Odd Fellows, Denver Chamber of Commerce, board member of the Green Gables Country Club, and organizer of the Sons of Colorado. Milton Anfenger died December 9, 1952.

Carson-Brierly Dance Library: Maxine Munt’s Scrapbook

Tuesday, April 3rd, 2012

Maxine Munt (1913-2000) is perhaps best-known in Colorado as one of the co-founders of the Changing Scene Theatre. The Changing Scene was a bohemian, not-for-profit theater in downtown Denver that, from 1967-2000, provided an inexpensive,  supportive space  for experimental Denver performing artists.

Munt’s place in American modern dance history is just as impressive but not as well known.

Modern dancer, educator, and choreographer Charles Weidman (left) and Maxine Munt (right), a student of Weidman, stand outside at Bennington College.

The images, clippings, and pamphlets in Munt’s scrapbook, which she donated to the Carson-Brierly Dance Library, are primarily a record of her time as a student at the prestigious Bennington School of the Dance at Bennington College in Vermont. As such, they provide an intimate, personal glimpse into one of the first places in America that modern dance began to crystallize as a distinctly American art form.

The Bennington School of the Dance was a series of six-week summer sessions, held annually from 1934-1942, on the grounds of the small, progressive, and private Bennington College. The School of the Dance  was a haven and a laboratory for many of the leading lights of American modern dance. The work these educators did at Bennington went a long way toward refining and, to a degree, codifying this young, raw, and dynamic dance genre.

The scrapbook begins with Munt’s first summer at Bennington (1937), and includes images of all four of the pioneers in American modern dance who taught there: Martha Graham, Charles Weidman, Hanya Holm, and Doris Humphrey.

Charles Weidman clowns around with a group of students (Maxine Munt in middle foreground) under a striped tent at Bennington College.

Munt’s scrapbook shows Bennington’s students immersed in a progressive arts education curriculum that was unlike any other in America at the time. Students dance on the lawn in front of the college’s Commons building, play gongs, and playfully interact with their instructors. The scrapbook is also an especially rich source of visual information about Charles Weidman during his time at Bennington. In the summer of 1938, Munt was a member of Charles Weidman’s workshop, and many of the photographs from this time period show Weidman dancing, instructing, and joking with his students.

The remainder of the scrapbook shows Munt’s time teaching at the University of North Dakota, Adelphi College, University of Nebraska, and Ashley Hall (a girls’ school in Charleston, South Carolina) and working with various dance groups (including Hanya Holm’s, at Colorado College).

To see more photographs from Munt’s scrapbook, visit the Maxine Munt Scrapbook collection in our digital repository.

Questions? Contact University of Denver Special Collections and Archives, 303.871.3428.

Beck Archives: Letter from Freud

Tuesday, March 6th, 2012

Letter dated November 19, 1931 from Dr. Prof. Sigmund Freud to Professor Morris Pepper.

Background:

Morris Robert Pepper was born in Denver, Colorado on August 31, 1906 to Jacob and Rosie Pepper, Jewish immigrants from Russia. His sister Mary Pepper, born in 1903, later married Philip Segal, son of Sol and Susie Freud Segal. The Pepper family moved to Fort Collins, Colorado and Morris Pepper graduated from Colorado State college in 1929 with the college’s first degree in mathematics. He then studied psychology at the University of Kentucky for one year and went to the University of Missouri, where he received a Master of Arts degree in abnormal psychology. He also studied and taught psychology at the University of North Carolina in Greensboro. Morris Pepper had a distinguished career as a psychologist and hypnotist in New York and Colorado. He used hypnotism to help people lose weight and stop smoking.

Mary Pepper Segal asked her brother to write Dr. Sigmund Freud on behalf of her mother-in-law, whose maiden name was Freud. Morris Pepper complied, and Dr. Sigmund Freud wrote back saying that he and Susie Freud Segal were probably not related. Dr. Freud provides some family history in the letter he wrote: “my grandfather was Salomon Freud, he died shortly before I was born and left me his name which the official register got changed into Sigmund.” (Dr. Freud should have been called Salomon Sigmund Freud.) Would he have followed a different path with the first name of Salomon instead of Sigmund?

This letter is part of the Beck Biographical Materials collection. For more information, visit the Beck Archives Archives Corner webpage.

Questions?  Contact Dr. Jeanne Abrams, jeanne.abrams@du.edu, 303-871-3016.

March 2012